roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

this time the frankfurt based duo chris hope & andre walter (stigmata, perc trax) sended us 3 wicked tracks and we are proud to present them on our fresh driving forces recordings imprint. the >vibra slap< ep is exactly what a state of the art techno release needs to be. dark and atmospheric, low in the speed but straight kickin and full of wicked sounds and effects. on the a side you can find the name giving title track called vibra slap which is a pumping and crazy clubtool. the very long breakdown and its noisy leadsound will let every crowd go totally crazy. with septum and otum 288 side b delivers you 2 very dark and andre walter typical tracks for the peaktime of special and raw techno happenings. these tracks seem to come out straight from hell!

mothership transmission 027 – maetrik the >space chronic< ep was the biggest selling record on mothership last year and for good reason. maetrik has an incredible knack for innovative and original sound design. he is also able to package these sounds inside great arrangements and very dj friendly beats. this is what really separates his records from the rest of the sound design experts. >show me< is the perfect example of maetriks amazing talents. after several minutes of a super funky techno groove (2 things that dont usually go together) we find ourselves at the drop. and this drop is one of the best we have ever heard. it sounds like an angry wasp is flying full speed through the inside of your brain. the riff will melt your mind. >simpleman< on the other side is a great example of maetriks versatility. you might be expecting a hardcore techno bit but instead we hear a very groovy, almost reserved jazz techno fusion joint, but still with the heavy beats to keep it real for the clubs.

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

supported by: richie hawtin, dubfire, john digweed, anja schneider, electric indigo, sian, christian martin, ivan smagghe !! trapez headliner alex under releases with this 4 track ep a stunning follow up to >muscle tracks<. titled >muscle tracks ii<, this release has a lot to offer from the housy but almighty fat >firebird< to the speeding >mustang<.
>mustang< is a perfect techno track, it sums up what a whole techno night could be like. it is a fast track but also a deep cool track, when the chords join in one gets close to heaven. it is also a track that changes gear and has a nicefeeling for controlling the pace perfectly. the unbeatable cool alex under beat and 3d sound experiments that sound as if ice cubes were rotating in a tumbler make it a super track.
>charger< is a massive track! the track seems to suck up air to created a vacuum and also sounds a bit as if there was a problem with the ignition of the charger! once it gets going it is indeed a heavy rocking track!>firebird< is a fat sounding house track, which can be plaid by house djs as well as techno djs using a cool walking bassline and a super tight slapping snare and cool house vocals on top of it! starting housy the track develops into a hi energy, appegiator driven track showing alex unders talent for moving genres skilfully from one end to the other! this is a great track!

>gobbldigook< is the spectacular opener of sigur ros recent album >med sud i eyrum vid spilum endalaust<, undeniably one of the most hymnic songs they have written thus far. fellow islanders stephen stephenson aka presidentbongo (of gus gus fame) and jack schidt couldnt resist but to transform the complex, polyrhythmic original into an exceptionally ethereal club track. when the angelic voice of jon birgisson unfolds on a club soundsystem it reallyfeels like you are in heaven. the ultraslim percussion groove takes over the tribalistic atmosphere of the original but catapults it some hundered light years forward into the future. thomas fehlmanns remix on the flipside is nothing short but sensational. we have no clue how he managed to turn this song into a schaffel but we salute him and take this as another unmistakable sign that the schaffelfieber is rising again in cologne, berlin, reykjavik andelsewhere ...

mika vainios four tracks on >vandal ep< show his preference for analogue working. he consequently develops a dynamic sound we all remember from pansonic, working himself from a rather abstract structure towards arrangements which more and more suit a club setting. straight beats, noise and the denial of the usual clicks&cuts elements are the ingredients for his contemporary version of electronic club music. the quality of his music will not only convince on the dancefloor but also on the home stereo. mikas passion for dynamics, reduction and industrial oscillates between these three cornerstones and what his sound stands for: being physical, raw and profound beyond all cliches.

fat electro roaring dubstep from doshy (berlin). used to beats & blips, but in fact a new comer in the dubstep scene, doshy produced here 2 jewels of electrobotik bass which we are delighted to put out on destpub. filled with 8 beat sounds and crunchy bass, dis 10 inch is sure to awake the sleepy bot inside u.

we had some unfinished business, so after long deliberation her is the return of creme jak! jtc (aka james t cotton) opens this ep with a devastating 70s disco/funk/jak hybrid, hypnotizing crowds with a repetitive funk guitar and throwing them into a jakking frenzy with a steamrolling basskick counterpoint. simply jak-tastic! followed by a silky chicago dub jakker for the comedown and were ready for 2am/fm. or are we? these two cats rave up the place with some of their patented deep rolling chicago-house influenced trax, but spice it up with a thick-slick muddy bassline before erupting like old yeller. top

finally a full ep by d marc cantu (1/2 of 2am/fm and under other aliases involved in collabos with traxx). technically its the follow up to his cult hit no control (creme jak 02, today a highly sought after 12inch) and in good h-h-h-house fashion this ep contains a ball busting jtc remix of this anthem. but the centre piece must be the title track one of the most emo-simplo jak trax weve ever heard here at the office. starting out simple enough with a single finger synth line (like the musings of a retarded secretary), it mutates into a big wailing distorted saxophone (or a mating whale, who knows?), this puppy will fill your room and throw everybody into an instant k-hole. hey, if that dont sound appealing check the soundclips for proof, its pure liberation... nay rebirth! more floor destroying crazyness on the flipside, but were all out of steam describing it. jak jak jak

vinyl only / coloured vinyl !!! think of deep house and it isn’t all that often that the casts it’s attention on spain, a country more famous for it’s hedonistic forays into the tougher side of dance music, but all that started to change a few years back when above smoke (or javier to his mum) and brother jose aka dubbyman set up the rather superb deep explorer music (label of the month in the current issue of resident advisor). impressed as we were, we asked javier to provide a demo for us, the results of that you now have in your hands..

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

sascha ries aka sasch bbc is not a moderator at the british news channel, the more an entertainer of electronic finest music from the rhein-main-area where everthing began. there are the roots of today s loft resident sasch bbc. even in early adolescence by the time sascha was a electrified by the early electronic scene and by such front 242 and nitzer ebb, which had be completed by sven väth s magical sets at the hr3 night club.the variety of sascha bbc are also shown by his activities outside the electronic environment during 1997 to 2000 in the hip-hop band noname product, where he co-produced and published 2 cd s. as a logical result they got appearances as opening act of freundeskreis, blumentopf , massive töne and specialists. despite all his succes, his heart beats always in 4/4-time - just for house and techno. it took a long time for his first vinyl but 2008 was the year for his first vinyl “sunprooft” after that he signed by alex flatner on plastic city with his catfoot track. now 2009 he comes with his release setuper with remixes from markus fix and suedmilch

sleazy mcqueen is one of the snazzier monikers of laurin fedora. >a rough guide< is the debut release for the florida based beat master, who like things deep, just as we do at hairy claw.
things open up with >naked<. the kink mix in full effect. it sounds like a soundtrack to an alien invasion for the first half before the squelchy and slightly wonky synths rotate the oscillators to full effect.
>this time< keeps the drums four miles deep but adds on slabs of discordant waveforms. >goody gumdrops< drops in smatterings of portamento blasted arppegiator lines and negative question is all about the handclaps and pulsating bass. a fine rough guide ... and debut for anyone to be proud of.

lerosa makes a welcome return to uzuri recordings. night radio ep is lerosas most dancefloor friendly release to date including metaphor (feat on the much later ep) revisited by non other than nyc legend elbee bad, laying down a vocal and some funky brooklyn vibes to the proceedings. a winner of an ep with no fillers but essential cuts!

born in the same year but on wildly different career trajectories, a chance meeting in ibiza last year between ben watt and hell sparked this unexpected release. with help on this release from previous buzzin fly don christian prommer, hell could turn in a deep house monster. >freak it< also features hot man-of-the-moment spencer parker on the remix. this is the latest single from ben watts respected imprint buzzin fly, an unexpected home for the german electroclash / techno don, hell. available on limited edition 12 inch featuring collectors’ artwork (500 copies).

one more time o.ton kick it loud with this second ep !! keep it easy! weve asked to robber and bandit to make us dance. those two young belgian dj and producer make it heavy and ravey !!! with various influences they give the tone : trancey bassline, heavy break and loud minimal techno producing stuff. a side is an amazing short track called rusian panther : mixing ravey melody big infrasound techno beats and breaked rhythms .the second one battleship mendoza is « the » real peaktime bombing track, just listen ! on the aa side : chilling session on the dancefloor but with a perfect gimmick that one keep us alive

nice price deal !!! bizarre beardy pych rock and funk edits from the mysterious black editons. i don t know much else about the release but if you re a disco jock of the beared persuasion then these might be pretty handy

nice price deal !!! fall outs debut release comes courtesy of berlin based producer n.phect. phantom kicks off with rolling beats that are constantly developed throughout the track and added to with n.phects unmistakeable brand of dirty funk. razzle dazzle is less of an easy going affair as enormous amounts of bass right from the off build towards a disgusting, pounding drop that devastates dancefloors. both tracks have been causing carnage across the world thanks to dj support from ed rush, black sun empire, teebee, cause 4 concern, state of mind, phace, prolix, bulletproof, misanthrop and cern to name but a few

this is 1st 7inch cuts from mitsu the beatss homage hip hop project gagles new album slow but steady. have you ever heard such as funky beats & grooves by mitsu the beats? with hard hitting drums and groovy bass & piano refrain, edged guitar and dj mu rs scratches take us banging floor. already got big reactions from not only hip hop djs but also 45 raregroove djs. this is quite limited 7inch includes instrumental version!! dont miss this!!

mule musiq proudly announced the debut release of runaway on mule musiq! title track >caprice drive< is an early house sound,its simple but effective. >dirty cake< is a sweet slow mo boogie stuff

who are these guys behind the pseudonyms? good guy mikesh and filburt are two music lovers… full stop! two independent acts that met in leipzig and began to merge their musical creative capacities two years ago. a convolution of disco, pop and house, propagating one of leipzigs most promising collaborative developments. good guy mikesh has haunted leipzigs contemporary underground for a long time. from the beginning of his musical career, his singles have signified an eclectic mix of pop, soul and disco. filburt - dj, record store owner and leipzig club scene veteran, was consequently good guy mikeshs best possible accomplice in the mission to break fresh ground. this mixture of soul, disco and house-pop is it, charged by the duos certain something - an energy sought for not only in this town, but throughout the whole scene. someone told me, their latest single, has been causing an outbreak of contagious enthusiasm in the scene since its release on permanent vacation this summer. we are proud to release this fine ep, which comes with a remix by one of our uk favorites: mark e !

a bomb in the making, holger and dave teams up w ith richard davis for a vocal gem out of this w orld ! deep, yet driving smooth house production mixed w ith richards heavenly vocals, this is hot ! on the remix tip the ever reliable kiki doing his w onders, keeping the vocal parts intact but turning the techno scale a few notches, this w ill appeal on all floors. also included the original dub version for the vocal-shy djs around !

our jazzy multi instrumentalist, dewalta a.k.a. david koch, returns to vakant with another popping fresh release, as earnestly house as house can get. since his first vakant release in 2008 (va021 salgaro/farina) davids music has taken him around the world in black largely covering our earths northern and southern hemispheres. side a is graced by move yo sitting as close to late 1990s baby ford as one can get without a time machine and personal guide to londons underground. david somehow owns this genre while still making it distinctly his. b1 night shade keeps the housey goose bumps going with a drier and more direct approach. cheeky bleeps and chunky bass balance dark spacey vocals to land the track somewhere between night and day. >angels trumpet< at the b2 position closes this stellar ep out with a track that again borrows from the genre, but continues way beyond its standards with melodic elements that push and pull you in multiple directions resulting in no less than dance floor catharsis.

the title of max coopers stochastisch serie ep, refers to his use of stochastic methods, also known as non-deterministic, or random methods of sound generation. stochastic elements referring here mainly to real sounds including vocal experiments and sampled sounds which create a complexity and richness which has been a trademark of many well known traum releases in the past. the london based artist max cooper sees his new 12 inch as a construction of different moods going beyond club music, as witnessed in the past through tracks such as i and end of reason. it is no surprise that dischordance is another one of these timeless pearls alongside these mentioned tracks that have created a fan base worldwide for him. the friction max generates is created by two sides colliding, the synthesised drums and melodies and the random experiments with voice. his dance floor rockers stochastisch serie and mnemonic work in a much more functional way but do include bits of this randomness and therefore are part of the superstructure stochastisch serie. the remix of uk producer leeks is very hip in style and sound and will please a lot of younger djs who love the cool swing and groovyness with music and will find the functionlism here going very strong.

next 12 inch on the new sub-label by munich-based gomma records for their output of club-focused 12 inch maxis - telonius gets the remix-treatment by zombie nation and moulinex !!! with his project telonius, jonas imbery one of the 2 chiefs of gomma records is returning to his musical roots - early house music from the 80ies and 90ies. his inspired dj-sets convey a dense and rich musical texture, spanning from frankie knuckles warehouse inspired retro house and loft-style disco music to brand new club productions. never sounding stuck in the past, but with both feet firmly based in the current musical streams of electronic club sound, which also shows in the productions for telonius.

you might hear nothing - but you are gonna feel it for sure! next floormonster by umek, incl. datawork remix.

supported by: laurent garnier, llorca, rocco, jimpster, manuel tur, nick holder, delano smith, keith worthy, matt flores, henry l, nacho marco, stephane attias and many more
changes. always changes. life is changing but not for troubled kids. the deepest music choice still on the top of the label. an now it is time again for the spanish matador jesus gonsev, one of the troubled kids crew. he gives another massive bomb for your ears. this is the 5th release of the label with three diferent tracks as usual in jesus productions. elegant, groovy and a special touch for the dancefloor so use with caution when you play it! you are warned!

the >sex, drugs and sausage rolls< series continues! after the lp its now time for the ep with the same name but all new tracks!

nice price deal !!! debox welcomes another exceptional artist. 24 year old talent christian schwarz delivers a debut that easily matches the production standard of guys that have been in the business for years and clearly stands out from the monthly pile of same sounding tracks. before you told me, which features christians own vocals comes along with fat analog synth sounds, dark atmosphere and a detail orientation and emotional depth which reminds of trentemoeller or swyazak. the massive remix package features versions by spanish dj legend memo and the london based producer duo dzeta n basile. memo combines the original with pumping house grooves and a spoonful of retro coolness to an extremely danceable mixture while dzeta n basile fragmentize the catchy vocals, creating a hypnotic, tribal infected minimal track which will surely have the same effect on the dancefloor. last but not least sternenfänger (starcatcher ) takes the listener on a journey through a strange soundgarden, following the beat along beautifully distorted structures and experimental contrasts.

a 12inch ep called here we come is filled with funky, groove and latin techno ryhmes from well known and respected artists in today s techno scene. a side contains american express techno machine bryant baker cooperating with croatian dj and producer miche. their track just deserves to be on the pole position spot a1. funky, groove and unique are just 3 words describing their work as a team. a2 spot represented by upcoming spanish star rantan.
da ghetto party is one track among the others which is really special and exclusively done for >beat forming< this lp. nice and smooth, groove and driving techno.
b side has been reserved for a latino dancefloor kicker done by josh love. the track is called sexiest rasta. jamaican rasta voice, nice groove beat and overrated control over everything. josh did a good work by making this happen. great track to jump on!
the last but not the least is a track done by kai aka vortechtral on b2. nice, smooth, groove and melodic techno track to dance on. great one for filling the 3rd deck with >the badman< voice thru the track.
beatformers are sure that this is an ep to keep an eye on. here we come ep is one of the newest on the market. a new era of techno on the 12inch!

like his dj status, as a producer, jesse rose is a guarantee. world-renowned for the sound he created with long term mentor and dubsided label boss dave switch taylor, jesse is now the guy you turn to when you want a dancefloor remix, lending his services to the likes of hot chip, simian mobile disco, underworld to name but a few. after the phenomenal success of jesse’s mighty debut album, >what do you do if you dont< comes the third single from the album – >well now<. if you havent already heard the hooky >well now< in the clubs or on the airwaves, where have you been? the original mix is exactly what you would expect of jesse with its cheeky vocal and typical comedy factor make this mix so catchy its hard not to recognise it after the first play. flipping over savage skulls add their remix treatment to the track. these talented swedish boys who already have a dubsided original release under their belt and a killer recent remix for major lazer, give >well now< their bass and bumps whilst putting a kaleidoscope of funk back into electro.

no much is known about the new kid in the playground ladzinski, but what we do know is that he has his own sound placed firmly between the different schools of proper house music. he steps up to the plate to deliver a true gem of a first release with four varied but very modern house tracks, there are elements of chicago, new york, detroit and berlin spread across the whole ep. spacey chords, deep sub-bass and snappy drums give this ep a real warm feel for the dance floor.

get ready! bulgarian youngster mitaka will lead you through a landscape of pushing minimal techno with maximum danceability. a, mitaka_fear , it is part of the nature of mankind to be afraid, especially when something unexpected is about to arrive. strict structures, harsh basslines yet a still gentle groove make this track so special. a variation of flavoures you might have tasted before. sweet and sour, like a piece of juicy lime, it fills you with desire and dense but enjoyable fear. b, mitaka_look back , imagine the climax of an ancient black and white horror movie. if that feeling could turn into a techno track, it would be look back : full of tension, full of beauty, full of excitement and totally intense.

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

russells contribution to the modern music scene is of such imortance that many consider his work to be untouchable but in this release all of the modern day producers have carefully picked out key elements of his songs whilst recording an entirely new and up to date soundtrack. over the last few months yam who?, robin & simon lee from faze action, singer mary moore, nycs pocketknife and my tiger my timing, andy spence from new young pony club have worked hard to create entirely new instruments and vocals. additional remix comes from mark e. especially fantastic cover version of >in the light of a miracle< by faze action ft. yam who and mary moore. features sleeve notes by danny krivit. heavy weight release.

nice price deal !!! first sampler from his new album. a brilliant combination of acoustic and electronic sounds, that covers the great black music full spectrum : soul, house, jazz, broken beat, doo wop, nu soul, afro beat, latin, funk. allen hoists music spreads innovative grooves, authenticity & happiness. its simply modern soul music... with soul! but words can only do so much, so listen and let the music explain to you why he is called the prodigal allen hoist ...
supported by: bbc1, bbc 6, radio nova, jazz fm, craig charles funk & soul show, norman jay, little louis vega, gilles peterson, joey negro, osunlade, laurent garnier, rich medina, mike chadwick, wicked jazz sounds, rainer truby, jazztronik, bobbito garcia, knee deep...

welcome to the world of mysterious organist & producer dan electro. dan electro is a charming guy who lives very far away from the sytem of babylon. his music is out of time... it carries the reminiscence of a time when people played music simply for the love of it... his touch is magnetic, mystical and inspired. dan electro musics really got soul. but the man has a complex background... for a long time, he played bass for the slow slushy boys, a band that still performs today one of the best rooted rythm & blues around the world. dan electro finds a great part of his inspiration within the universe of geniuses like louis jordan, eddie kirk, the five royales and the barefoot gospel divas sister rosetta tharpe or winona carr... and he is still involved in music that talks to both your ass and your soul... with a preference for the first !
the lucky discovery of farley jackmaster funks >fix me< revealed dan electro the connections between black music at its core roots and contemporary house music. shortly after, he started producing some amazing tunes that felt like love affairs between old church organs and mad computers... sung by ageless preachers & divas. his music has been played by djs such as gilles peterson, joey negro, sumo, recloose, dj morpheus, spiritual south, nick v, michael rutten, rainer truby, nik weston, unabombers, erik rug, philarmonix, patchworks, stevie sole... radios as bbc 1, frequence jazz, xfm scotland, radio fg, compost radioshow... enjoy !

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

the simply massive duck sauce gets a full release via data 1 sided but its all about this mix. disco house is back with a bang

without much need for introduction, archipel welcomes the talent of minus niederflur who bring with them the darkly blinding >lumen ep<. a lumen is a unit used to measure the perceived power of light and this ep is most definitely very powerful and certainly can be perceived as such. this is where the line between something as intangible as light is crossed and becomes tangible as one would feel an intense and warming heat which goes so far as to manifest itself as something with mass. title track >lumen< is the focused, convex lens, knife edge point of light which focuses a small portion of the suns energy so densely it could initiate many a blaze. >masse< is as dense as the most solid of gems and radiates dark light like heavy water and is sure to corrupt any geiger counter within its radioactive reach while >flor< stacks itself as high and wide as it can go, building further and further upon itself, and just as one would think it could build no further, it rotates itself back to within and further densifies, an inescapable sort of density of which one is eternally locked pleasurably within. >flucht< raises one into the blackest skies of night and flies hour after hour through blood orange clouds filled with the atmospherically scattered light from what was temporarily civilization below but is now just a memory shaded in the delight of being closed within the phosphorescence of late night fog.

so the story goes: fresh from releasing his debut 12inch as hunch for john dalys brilliant feel music hunee steps up with this fine double header. i ve been receiving a bunch of lovely tracks since i first met hunee a few years ago in berlin. some of these will soon materialize in a proper album but to start us off, heres brother and babel two slow grinding chuggers of the highest orders, stuck somewhere between an tropical island bar... and spaaaayaaaaayyaaaaaayyyaaaacccccceeee!!!!!!! peas.... in the middle east, thomas(oslo, 7th of august 2009)

over the last year a new generation of young and ambitious electronic / house producers from italy have caused lot of rumors. adriano is a great interpreter of the scene in the heart of italy, which is going to become the new centre for house and techno culture. eimaleins captures the essence of adrianos style, releasing this two tracks which have the houzy and techy flavours, wisely mixed with solid but quite funk groove. adriano calls his friend matt brown to remix his track voices. its an amazing super warm and smooth piece of house music.

album of one of the most talked about electro acts of the moment. one luxemburgish, one lebanese, one french, one musical language which takes its source from the academic knowledge of juilliard school of n.y.c. but raises itself above the classic, contemporary, rock and electronic genres. the first album of aufgang knocks down, surprises, and lays down matchless basis for reinterpretations. after >sonar< released earlier this year, here is the full lengh album ... future classic.

raz ohara and his odd orchestra return for their second album for get physical. >ii< is the follow up album to the critically acclaimed self titled raz ohara & the odd orchestra cd that is considered being one of the album highlights in 2008. its a warm, organic collection of avant-garde, open-hearted pop music which positively teems with life, a forest of pleasures and possibilities which youll want to lose yourself in indefinitely.
>ii< is certainly less melancholic than its predecessor – its imbued with good feeling, energised by the rhythms and cadences of summer and the great outdoors - but its not euphoric, there is an underlying note of caution, of trepidation. this emotional mix is what makes the record so powerful, especially when allied to a similarly ambiguous musical mix: which imperceptibly melds folk, classic pop, electro-acoustic experimentation and modernist electronics. 10 beautiful songs plus a special download (code included in the artwork) of the single >miracle< make this album a perfect journey through the winter days.

smith & mudd follow their second album, le suivant with something that goes a bit darker. side a is a chuggy affair where the beats drive a bit harder than their usual tracks but the lushness and the bass groove are still there. a beautiful electric violin solo takes the second half to a different place. side b is a deep bass journey that sounds like jean luc ponty and terry callier combined with a but of led zep. fantastic stuff. check

with the help of bodie lee and his nuboogie series project we managed to lay our hands on the master tapes of this early 80s disco hit by beggar & co. (and with hit we mean hit... like top 10 positions uk and us etc). we already got some raving reactions from people who use to love this big brit funk tune back in the days... and this might even sound better! nice remix challenge for greg wilson and elitechnique... both delivered the works! we could write a long story about the remixes and the remixers... but just choose your favorite. 2 sublime nu disco funk work outs!

hailing originally from japan but now operating out of ontario, canada, this is ms onos debut release, and she certainly proves her credentials on this clean, sharp but funky fusion of dubstep techno and electro. kuro shinju is abstract and oblique but crisply funky, whilst the flipside moon is not unlike the japanese art of ikebana where the spaces in between are just as important as what fills them. precision cut clarity.

the first release by m_rec ltd is by the dutch man jeroen search. couldn t start any better to show the quality of sound of this label. 4 pure analog tracks that go from a hood style to mills but with a search personality. simply an artist!